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Panasonic Lumix GH5 II Mirrorless Camera with Lumix G Vario 12-60mm f/3.5-5.6 ASPH. POWER O.I.S. Lens
2521€
Κωδικός Προϊόντος: 12715
Highlights
- 20.3MP Live MOS Sensor with AR Coating
- DCI/UHD 4K 60p Video, 10-Bit Internal
- Pre-Installed V-Log L, No Crop 4K Video
- 6.5-Stop 5-Axis Dual I.S. 2
Διαθέσιμο (1-2 μήνες)
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Αξεσουάρ για Panasonic Lumix GH5 II Mirrorless Camera with Lumix G Vario 12-60mm f/3.5-5.6 ASPH. POWER O.I.S. Lens
Boasting updated video capabilities and a refined design, the Panasonic Lumix GH5 II provides a professional-quality imaging platform for shooters who demand versatile video and stills capabilities in a single compact camera. Featuring a 20.3MP Live MOS Sensor with AR Coating, the camera records DCI and UHD 4K with the full sensor area and can output 10-bit 4:2:0 internally up to 60p, or 4:2:2 at 30p. The GH5 II offers unlimited video recording for less downtime when filming, and the camera ships with pre-installed V-Log L for multi-camera recording, making it is easy to match the color tone with the footage recorded by other VariCam-series cameras. The included DMW-BLK22 battery provides approximately 410 shots per charge when using the rear monitor or electronic viewfinder, and the high-capacity battery can be quickly charged with the bundled USB 3.1 Type-C cable. You can also supply continuous power to the camera while shooting photos and video via the included USB cable.
A 3" 1.84m-dot rear TFT LCD monitor provides flexible framing, high visibility, and vivid color to support viewing from a variety of angles. An updated 5-axis sensor stabilization system works with Lumix O.I.S lenses to activate Dual I.S. 2 for highly-effective shake correction. Previously limited to 5 stops of shake reduction, this now means you can compensate for up to 6.5 stops of shutter speed. A Depth-from-Defocus autofocus system benefits both still and video recording modes ensuring fast and precise focus. The GH5 II features human face, eye, head, body, and animal recognition. Deep Learning technology detects the eye and face approximately twice as fast as the GH5 allowing you to concentrate on the composition of your photos and videos. Designed for today's creators and audiences, the easy-to-use Lumix Sync app for smartphones and tablets provides high-quality livestreaming with minimum equipment. Livestreaming via a router is available as well with Lumix Network Setting Software. Whether indoors or outdoors, only the camera and a smartphone are required to reach an audience, making the GH5 II an ideal camera for electronic news gathering, travel, event, lecture, and live commerce applications.
20.3MP Digital Live MOS Sensor with AR Coating and Venus Engine
Featuring a 20.3MP Digital Live MOS sensor with a newly developed AR Coating, the GH5 II boasts an evolved Venus Engine Imaging Processor. These updates suppress ghosting and flare in backlit scenes, offer a 25% increase in dynamic range, and improve color gradation and reproduction. Multipixel Luminance Generation technology maximizes sharpness and faithfully reproduces brightly illuminated scenes. It offers excellent three-dimensional color control and precise noise reduction techniques for shooting at sensitivities up to ISO 25600. It also enables shooting speeds up to 12 fps with AF-S or manual focus modes.
4K Video Recording
The GH5 II features outstanding video performance for professional videography and is capable of unlimited video recording in various settings. It can record DCI and UHD 4K 60p 4:2:0 10-bit and simultaneously output 4:2:2 10-bit over HDMI during 4K 60p 4:2:0 10-bit internal recording. An HDMI port is present on the camera for high-quality output for use with external monitors and recorders. The camera also offers high bit-rate recording for highly detailed images free of compression artifacts.
For more advanced users, multiple picture styles provide two types of Cinelike gamma presets in the Photo Style. With these modes warm skin tones or delicate nuances of light and shadow can be reproduced without color grading over V-Log footage. The Cinelike D2 setting gives priority to dynamic range while Cinelike V2 prioritizes contrast. L. Monochrome S and L. Classic Neo have also been added, and all these modes can be used for anamorphic video recording.
The GH5 II is designed to be an expandable system, with multiple options available to help improve video recording capabilities. Examples of this are an optional XLR Microphone Adapter that provides XLR inputs and physical controls through a hot shoe connection. Users can also use standard microphones and headphones via the 3.5mm input and output jacks.
For more advanced users, multiple picture styles provide two types of Cinelike gamma presets in the Photo Style. With these modes warm skin tones or delicate nuances of light and shadow can be reproduced without color grading over V-Log footage. The Cinelike D2 setting gives priority to dynamic range while Cinelike V2 prioritizes contrast. L. Monochrome S and L. Classic Neo have also been added, and all these modes can be used for anamorphic video recording.
The GH5 II is designed to be an expandable system, with multiple options available to help improve video recording capabilities. Examples of this are an optional XLR Microphone Adapter that provides XLR inputs and physical controls through a hot shoe connection. Users can also use standard microphones and headphones via the 3.5mm input and output jacks.
Wireless and Wired Livestreaming
Designed for ENG, travel, event, lecture, and live commerce applications, the easy-to-use Lumix Sync app provides high-quality livestreaming with minimum equipment. Whether indoors or outdoors, only the camera and a smartphone are required. Livestreaming via a router is available as well with Lumix Network Setting Software. Additionally, wired USB-LAN IP livestreaming will be supported by a future firmware update.
225-Area Depth-from-Defocus Autofocus System
Boasting a high-speed, high-precision autofocus system, the GH5 II incorporates advanced deep learning technology to detect specific subjects including humans and fast-moving animals. Improved tracking performance quickly recognizes the face and eyes of moving subjects and the human body from a background of moving subjects. The camera keeps tracking the person even if he or she moves quickly, turns their back to the camera, tilts their head, or moves far away. This contrast-detection type focus method benefits both still and video recording modes, as well as subject-tracking applications where color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. Depth-from-Defocus technology offers lightning-fast calculation of spatial information making it possible to instantly and accurately capture your shots.
Dual I.S. 2
Helping to achieve the utmost sharpness when photographing handheld, an enhanced Dual I.S. 2 system combines the camera's sensor-shift image stabilization technology with lens-based image stabilization to compensate for a broad range of movement types and renders sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S., and this updated stabilization system enables the GH5 Mark II to compensate for 6.5 stops of camera shake.
| Lens Mount | Micro Four Thirds |
| Sensor Type | 17.3 x 13 mm (4/3") MOS |
| Sensor Resolution | Actual: 21.77 Megapixel |
| Effective: 20.33 Megapixel | |
| Crop Factor | 2x |
| Aspect Ratio | 1:1, 3:2, 4:3, 16:9 |
| Image File Format | JPEG, Raw |
| Bit Depth | 14-Bit |
| Image Stabilization | Sensor-Shift, 5-Axis |
|
Exposure Control
|
|
| ISO Sensitivity | Auto, 200 to 25600 (Extended: 100 to 25600) |
| Shutter Speed | Electronic Shutter |
| 1/16000 to 60 Second | |
| 1 to 60 Seconds in Bulb Mode | |
| Electronic Front Curtain Shutter | |
| 1/2000 to 60 Seconds | |
| 1 to 30 Minutes in Bulb Mode | |
| Metering Method | Center-Weighted Average, Highlight Weighted, Multiple, Spot |
| Exposure Modes | Aperture Priority, Auto, Manual, Program, Shutter Priority |
| Exposure Compensation | -5 to +5 EV (1/3 EV Steps) |
| Metering Range | 0 to 18 EV |
| White Balance | Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4 |
| Continuous Shooting | Up to 12 fps at 20.3 MP |
| Up to 30 fps at 18 MP | |
| Up to 60 fps at 8 MP | |
| Interval Recording | Yes |
| Self-Timer | 2/10-Second Delay |
|
Video
|
|
| Recording Modes | H.265/MOV 4:2:0 10-Bit |
| 6K Anamorphic (4992 x 3774) at 23.976p/24.00p/25p/29.97p [200 Mb/s] | |
| 4K Anamorphic (3328 x 2496) at 50p [200 Mb/s] | |
| DCI 4K (4096 x 2160) at 50p/59.94p [200 Mb/s] | |
| UHD 4K (3840 x 2160) at 50p/59.94p [200 Mb/s] | |
| H.264/MOV 4:2:2 10-Bit | |
| DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s] | |
| DCI 4K (4096 x 2160) at 50p/59.94p [200 Mb/s] | |
| UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s] | |
| 4K Anamorphic (3328 x 2496) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s] | |
| Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 200 Mb/s] | |
| H.264/MOV 4:2:0 8-Bit | |
| 4K Anamorphic (3328 x 2496) at 23.976p/24.00p/29.97p/50p/59.94p [100 to 150 Mb/s] | |
| DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 150 Mb/s] | |
| UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 150 Mb/s] | |
| Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 Mb/s] | |
| H.265/MP4 4:2:0 10-Bit | |
| UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [72 to 100 Mb/s] | |
| H.264/MP4 4:2:0 8-Bit | |
| UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [100 Mb/s] | |
| Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [20 to 28 Mb/s] | |
| External Recording Modes | 4:2:2 10-Bit |
| Recording Limit | Unlimited |
| Video Encoding | NTSC/PAL |
| ISO Sensitivity | Auto: 200 to 12800 (Extended: 100 to 12800) |
| Audio Recording | Built-In Microphone (Stereo) |
| External Microphone Input (Stereo) | |
| Audio File Format | AAC, Linear PCM |
| Live Streaming | Yes |
| Webcam Functionality | Yes |
|
Focus
|
|
| Focus Type | Auto and Manual Focus |
| Focus Mode | Automatic (A), Continuous-Servo AF (C), Flexible (AFF), Manual Focus (M), Single-Servo AF (S) |
| Autofocus Points | Contrast Detection: 225 |
| Autofocus Sensitivity | -4 to +18 EV |
|
Viewfinder
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|
| Viewfinder Type | Electronic (OLED) |
| Viewfinder Resolution | 3,680,000 Dot |
| Viewfinder Eye Point | 21 mm |
| Viewfinder Coverage | 100% |
| Viewfinder Magnification | Approx. 76x |
| Diopter Adjustment | -4 to +3 |
|
Monitor
|
|
| Size | 3" |
| Resolution | 1,840,000 Dot |
| Display Type | Free-Angle Tilting Touchscreen LCD |
|
Flash
|
|
| Built-In Flash | No |
| Flash Modes | Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction |
| Maximum Sync Speed | 1/250 Second |
| Flash Compensation | -3 to +3 EV (1/3 EV Steps) |
| Dedicated Flash System | TTL |
| External Flash Connection | Hot Shoe, PC Terminal |
|
Interface
|
|
| Media/Memory Card Slot | Dual Slot: SD/SDHC/SDXC (UHS-II) [V90 or Faster Recommended] |
| Connectivity | USB Type-C (USB 3.1), HDMI A (Full Size), 2.5mm Sub-Mini, 3.5mm Headphone, 3.5mm Microphone |
| Wireless | Wi-Fi |
| Bluetooth | |
| GPS | No |
|
Environmental
|
|
| Operating Temperature | 14 to 104°F / -10 to 40°C |
| Operating Humidity | 10 to 80% |
|
Physical
|
|
| Battery | 1 x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 400 Shots) |
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